Chinese music - Wiki. Visually. Music of China refers to the music of the Chinese people, which may be the music of the Han Chinese as well as other ethnic minorities within mainland China. It also includes music produced by people of Chinese origin in some territories outside mainland China using traditional Chinese instruments or in the Chinese language. Understatement.Mallarme's Prose Poems those who. is the constant. But according to the free polypolar epistemology which. qui s'acheve l'apres-midi. m. A Google ingyenes szolgáltatása azonnal lefordítja a szavakat, kifejezéseket és weboldalakat a magyar és 100 további nyelv kombinációjában. The entire wikipedia with video and photo galleries for each article. Find something interesting to watch in seconds. Constant temperature equipment. > Past exhibitions; Past exhibitions. Current exhibition. 2017. Her free time, however. It covers a highly diverse range of music from the traditional to the modern. Different types of music have been recorded in historical Chinese documents from the early periods of Chinese civilization which, together with archaeological artifacts discovered, provided evidence of a well- developed musical culture as early as the Zhou Dynasty (1. BC – 2. 56 BC). These further developed into various forms of music through succeeding dynasties, producing the rich heritage of music that is part of the Chinese cultural landscape today. Chinese music continues to evolve in the modern times, and more contemporary forms have also emerged. History[edit]According to legends, the founder of music in Chinese mythology was Ling Lun who, at the request of the Yellow Emperor to create a system of music, made bamboo pipes tuned to the sounds of birds including the phoenix. A twelve- tone musical system was created based on the pitches of the bamboo pipes, the first of these pipes produced the "yellow bell" (黃鐘) pitch, and a set of tune bells were then created from the pipes.[1]Early history[edit]. A half- section of the Song Dynasty (9. Night Revels of Han Xizai, original by Gu Hongzhong; [2] the female musicians in the center of the image are playing transverse bamboo flutes and guan, and the male musician is playing a wooden clapper called paiban. Archaeological evidence indicates that music culture developed in China from a very early period. Excavations in Jiahu Vilage in Wuyang County, Henan found bone flutes dated to 8,0. Xun thought to be 6,0. Hemudu sites in Zhejiang and Banpo in Xi'an.[3]During the Zhou Dynasty, a formal system of court and ceremonial music later termed yayue (meaning "elegant music") was established. Note that the word music (樂, yue) in ancient China can also refer to dance as music and dance were considered integral part of the whole, and its meaning can also be further extended to poetry as well as other art forms and rituals.[4] The word "dance" (舞) similarly also refers to music, and every dance would have had a piece of music associated with it. The most important set of music of the period was the Six- dynasty Music Dance (六代樂舞) performed in rituals in the royal court.[5] Music in the Zhou Dynasty was conceived as a cosmological manifestation of the sound of nature integrated into the binary universal order of yin and yang, and this concept has enduring influence later Chinese thinking on music.[6] "Correct" music according to Zhou concept would involve instruments correlating to the five elements of nature and would bring harmony to nature. Around or before the 7th century BC, a system of pitch generation and pentatonic scale was derived from a cycle- of- fifths theory.[6]Chinese philosophers took varying approaches to music. To Confucius, a correct form of music is important for the cultivation and refinement of the individual, and the Confucian system considers the formal music yayue to be morally uplifting and the symbol of a good ruler and stable government.[7] Some popular forms of music, however, were considered corrupting in the Confucian view.[8]Mozi on the other hand condemned music, and argued in Against Music (非樂) that music is an extravagance and indulgence that serves no useful purpose and may be harmful.[9] According to Mencius, a powerful ruler once asked him whether it was moral if he preferred popular music to the classics. The answer was that it only mattered that the ruler loved his subjects. In ancient China the social status of musicians was much lower than that of painters, though music was seen as central to the harmony and longevity of the state. Almost every emperor took folk songs seriously, sending officers to collect songs to record the popular culture. One of the Confucianist Classics, Shi Jing 詩經 (The Classic of Poetry), contained many folk songs dating from 8. BC to about 4. 00 BC. Qin to Qing dynasty[edit]The Imperial Music Bureau, first established in the Qin Dynasty (2. BC), was greatly expanded under the emperor Han Wu Di 汉武帝 (1. BC) and charged with supervising court music and military music and determining what folk music would be officially recognized. In subsequent dynasties, the development of Chinese music was influenced by the musical traditions of Central Asia which also introduced elements of Indian music.[1. Instruments of Central Asian origin such as pipa were adopted in China, the Indian Heptatonic scale was introduced in the 6th century by a musician from Kucha named Sujiva, although the heptatonic scale was later abandoned.[1. The oldest extant written Chinese music is "Youlan" (幽蘭) or the Solitary Orchid, composed during the 6th or 7th century, but has also been attributed to Confucius. The first major well- documented flowering of Chinese music was for the qin during the Tang Dynasty (6. AD), though the qin is known to have been played since before the Han Dynasty. This is based on the conjecture that because the recorded examples of Chinese music are ceremonial, and the ceremonies in which they were employed are thought to have existed "perhaps more than one thousand years before Christ",[1. BC, in precisely the manner prescribed by the sources that were written down in the seventh century AD. It is based on this conjecture that Van Aalst dates the "Entrance Hymn for the Emperor" to c. BC.)[1. 6]Through succeeding dynasties over thousands of years, Chinese musicians developed a large assortment of different instruments and playing styles. A wide variety of these instruments, such as guzheng and dizi are indigenous, although many popular traditional musical instruments were introduced from Central Asia, such as the erhu and pipa. The presence of European music in China appeared as early as 1. Jesuit priest Matteo Ricci presented a Harpsichord to the Ming imperial court, and trained four eunuchs to play it.[1. During the late Qing Dynasty era, the influence of Western music began to be felt.[1. Republic of China era (1. Blind Chinese Street Musician - Beijing (1. The New Culture Movement of the 1. Western music. A number of Chinese musicians returned from studying abroad to perform Western classical music, composing work hits on Western musical notation system. The Kuomintang tried to sponsor modern music adoptions via the Shanghai Conservatory of Music despite the ongoing political crisis. Twentieth- century cultural philosophers like Xiao Youmei, Cai Yuanpei, Feng Zikai and Wang Guangqi wanted to see Chinese music adopted to the best standard possible. There were many different opinions regarding the best standard.[1. Symphony orchestras were formed in most major cities and performed to a wide audience in the concert halls and on radio. Many of the performers added jazz influences to traditional music, adding xylophones, saxophones and violins, among other instruments. Lü Wencheng, Qui Hechou, Yin Zizhong and He Dasha were among the most notable performers and composers of this period. In Shanghai, a popular genre of music called shidaiqu emerged in the 1. Shidaiqu is a fusion of Chinese and Western popular music, and Li Jinhui is considered to be founder of the genre. Popular singers in this genre in the 1. Zhou Xuan, Li Xianglan and Yao Lee. After the 1. 94. 2 Yan'an Forum on Literature and Art, a large- scale campaign was launched in the Communist controlled areas to adapt folk music to create revolutionary songs to educate the largely illiterate rural population on party goals. Musical forms considered superstitious or anti- revolutionary were repressed, and harmonies and bass lines were added to traditional songs.
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Virtual. Box 5. 0. This is a maintenance release. The following items were fixed and/or added. NAT: Don't exceed the maximum number of "search" suffixes. Patch from bug #1. NAT: fixed parsing of port- forwarding rules with a name which contains a slash (bug #1. NAT Network: when the host has only loopback nameserver that cannot be mapped to the guests (e. DHCP supply NAT Network DNS proxy as nameserver. Bridged Network: prevent flooding syslog with packet allocation error messages (bug #1. USB: fixed a possible crash when detaching a USB device. Audio: fixes for recording (Mac OS X hosts only). Audio: now using Audio Queues on Mac OS X hosts. OVF: improve importing of VMs created by Virtual. Box 5. 1. VHDX: fixed cloning images with VBox. Manage clonehd (bug #1. Storage: Fixed broken bandwidth limitation when the limit is very low (bug #1. Serial: Fixed high CPU usage with certain USB to serial converters on Linux hosts (bug #7. BIOS: fixed 4bpp scanline calculation (bug #1. VBox. Manage: Don't try to set the medium type if there is no change (bug #1. API: fixed initialization of SAS controllers (bug #1. Linux hosts: don't use 3. Linux hosts / guests: fix for kernels with CONFIG_CPUMASK_OFFSTACK set (bug #1. Linux Additions: several fixes for X1. X servers. Linux Additions: fix for Linux 4. Linux Additions: fix for the display kmod driver with Linux 4. Windows Additions: auto- resizing fixes for Windows 1. Windows Additions: fixes for arranging the guest screens in multi- screen scenarios. Windows Additions / VGA: if the guest's power management turns a virtual screen off, blank the corresponding VM window rather than hide the VM window. Windows Additions: fixed a generic bug which could lead to freezing shared folders (bug #1. Virtual. Box 5. 0. This is a maintenance release. The following items were fixed and/or added. VMM: fixed a bug in the task switching code (ticket #1. GUI: allow to overwrite an existing file when saving a log file (bug #8. GUI: fixed screenshot if the VM is started in separate mode. Audio: improved recording from USB headsets and other sources which might need conversion of captured data. Audio: fixed regression of not having any audio available on Solaris hosts. VGA: fixed an occasional hang when running Windows guests with 3. D enabled. Storage: fixed a possible endless reconnect loop for the i. SCSI backend if connecting to the target succeeds but further I/O requests cause a disconnect. Storage: fixed a bug when resizing certain VDI images which resulted in using the whole disk on the host (bug #1. EFI: fixed access to devices attached to SATA port 2 and higher (bug #1. API: fixed video recording with VBox. Headless (bug #1. API: don't crash if there is no graphics controller configured (bug #1. VBox. SVC: fixed several memory leaks when handling . Solaris hosts: fixed a crash on hosts with certain CPU configurations. Windows hosts: properly fall back to NDIS5 on pre- Vista hosts on silent installations. Virtual. Box 5. 0. This is a maintenance release. The following items were fixed and/or added. VMM: reverted to the old I/O- APIC code for now to fix certain regressions with 5. This means that the networking performance with certain guests will drop to the 5. One workaround is to disable GRO for Linux guests. Main: when taking a screenshot, don't save garbage for blanked screens. NAT: correctly parse resolv. Storage: fixed a possible corruption of stream optimized VMDK images from VMware when opened in read/write mode for the first time. Audio: imlemented dynamic re- attaching of input/output devices on Mac OS X hosts. ACPI: notify the guest when the battery / AC state changes instead of relying on guest polling. Linux hosts: fixed VERR_VMM_SET_JMP_ABORTED_RESUME Guru Meditations on hosts with Linux 4. Solaris hosts: make the GUI work on Solaris 1. Virtual. Box 5. 0. This is a maintenance release. The following items were fixed and/or added. VMM: fixes for certain Intel Atom hosts (bug #1. VMM: properly restore the complete FPU state for 3. Intel Sandy Bridge and Ivy Bridge CPUs. VMM: new I/O- APIC implementation fixing several bugs and improving the performance under certain conditions (bug #1. VMM: fixed a potential Linux guest panic on AMD hosts. VMM: fixed a potential hang with 3. EFI guests on Intel CPUs (VT- x without unrestricted guest execution). GUI: don't allow to start subsequent separate VM instances. GUI: raised upper limit for video capture screen resolution (bug #1. GUI: warn if the VM has less than 1. MB VRAM configured and 3. D enabled. Main: when monitoring DNS configuration changes on Windows hosts avoid false positives from competing DHCP renewals. This should fix NAT link flaps when host has multiple DHCP configured interfaces, in particular when the host uses Opn. VPN. Main: properly display an error message if the VRDE server cannot be enabled at runtime, for example because another service is using the same port. NAT: Initialize guest address guess for wildcard port- forwarding rules with default guest address (bug #1. VGA: fix for a problem which made certain legacy guests crash under certain conditions (bug #1. OVF: fixed import problems for some appliances using an AHCI controller created by 3rd party applications. Find great deals on eBay for reloading manual and lyman reloading manual. Shop with confidence.
Colt . 4. 5 Ruger Workup – Reader’s Contribution | Real Guns. Editor’s note: After noticing I haven’t done jack in following up on the Ruger . Colt series, a Real Guns’ visitor took matters into his own hands and did his own write up as follows. A copy of this also appears in the letters section, it is very complete and very useful information. Colt . 4. 5 Ruger Workup. The gun: Ruger Bisley Blackhawk, . Long Colt, 7. 5″ barrel w/ rosewood grips. Key measurements: Compared to my . New Model Blackhawk (NMB), 7. Chambers: NMB: . Bisley: . 4. 84.” As the case heads of my brass measure ~. Cylinder throats: NMB: . Bisley: originally about . Honed out to . 4. Veral Smith’s book, ‘Jacketed Performance with Cast Bullets.’Cylinder length: 1. No rim recesses so assuming a rim thickness of . Note: Comments below also apply to standard Ruger New Model Blackhawks and Ruger Vaqueros. They are all capable of digesting the same loads (pressure- wise), although to many the Bisley grip frame feels better under recoil. The Bisleys are a little heavier than the standard blued guns dueto steel grip frames vs. Modifications: Belt Mtn. Reshaped grips & refinished with True- oil. Lapped barrel to get rid of tight spot under frame threads, using lapping compound and instructions from LBT (Lead Bullet Technologies – Veral Smith [LBT HCR 6. Box 1. 45 Moyie Springs, ID 8. Can’t swear this was absolutely necessary, but it didn’t seem to hurt any. Seems to reduce leading. Honed out the cylinder throats to ~. Someone apparently did a trigger job on the gun before I got it. Brass: Standard (unplated) Remington and Winchester. The Remington cases have been loaded 9 times and haven’t lost one yet. Trimmed once to ensure that crimps would be uniform. Long Colt cases are huge by traditional handgun standards. For standard- sized revolvers, only the . Casul (a derivative) and the wildcats such as the . Linebaughs exceed it, and perhaps the . AE. Volume is about 1. Magnum and in fact, loaded . Compressed loads with smokeless powder are all but unknown with this cartridge. This additional volume, along with the 1. Keep in mind that a . Primers: Winchester LP for my hunting loads, since that’s what my primary data source (Hodgdon #2. Tried some CCI Large Pistol Magnum once and did not detect any differences. Data: There is really only one complete reference that I know of. It is the Hodgdon #2. Silhouette Loads’ section. Their new #2. CUP with bullet weights from 1. IMR, Hercules (now Alliant), Winchester, and of course Hodgdon powders. Quite a spread! Curiously, no data with H1. H1. 10 data for 2. As the #2. 7 just recently came out, it may be possible to still find a new copy of the #2. No serious . 4. 5 Long Colt shooter should be without one! No data in this write- up as there’s plenty of it around, if you know where to look. Data can be found from the following sources. Pressure levels vary quite a bit: Hornady 4th edition: 2. XTP. No pressures given; velocities are from a 1. Contender. 3. 00 gr. XTP has two cannelures, although the text does not say which one to use. I used the rear cannelure, as that gave me an OAL similar to the Speer, Sierra, and cast bullets I was using. Speer #1. 2: 2. 00, 2. Data for the 3. 00 gr. Uni- Core is at 2. CUP. No mention of pressures for other bullet weights, but they appear to be substantially less. Velocities from a 7. Blackhawk. The 3. OAL for that load is incorrect if you do so. Probably just a proofreader error. Sierra 3rd edition: Only shows data for their 2. No pressures given; velocities listed for both a 7. Blackhawk and a 1. Contender (in different sections). Only one cannelure in the 3. Accurate #1: Data up to 2. CUP with a variety of bullet weights and brands. Lots of data, wish it was a little hotter. Hodgdon #2. 7: Shows data for H1. H4. 22. 7 for Sierra 2. JHC, Hornady 2. 50 XTP, Nosler 2. Partition, and Speer 3. Uni- Core, all to 3. CUP. Useful but disappointing compared to #2. Strangely, on the bottom of the page with that data, there is a picture of a Colt SAA, a gun you should never shoot these loads in! Another proofreader error? Pet Loads, (Ken Waters) sixth edition (these articles may also be in some earlier editions): From Handloader March 1. No pressures given. From Handloader Jan. Winchester Trappercarbine; data for 2. Bullets: This information is concentrated on the ‘appropriate’ 3. There may be others but these are what I have used. Appropriate’ 3. 00 gr. OAL’s approaching 1. This is way over SAAMIspecs but easily fit in the Rugers. Also provides a visual confirmation that this is high- pressure ammo. Some bullets have two cannelures, so they can be loaded as long as possible. The heavy ‘LBT’- designed cast bullets are outstanding in this respect. They typically have a nose- to- crimp lengthof . OAL around 1. 6. 50″ – 1. As an example, a cast 3. WFN- GC takes up about . Compare this to a typical 2. SWC which takes up about . This is a 2. 7% increase in bullet mass, with only an 8% decrease in case volume! (my cases measure about 1. The 3. 00 gr. jacketed bullets below can be loaded to about the same OAL and use about the same case volume as the 3. WFN. Sierra: 3. 00 gr. Has a single cannelure. Nice wide nose, very hard core. Closest jacketed design to the WFNs, doubtful that it would expand. Speer: 3. 00 gr. Uni- core flat- point. Has two cannelures. Their data calls for using the rear cannelure. This bullet has the plated jacket (same technology as the Gold Dot) with exposed lead on nose. May expand a little. Hornady: 3. 00 Gr. XTP hollow point, also has two cannelures. The obvious choice if you want expansion. Cast: My cast bullets are ‘Boar Slammers’ from Ballistic Advantage in Abiline, TX [Ballistadv@aol. Picked up some at a gun show in Austin and have been ordering them ever since. They offer the following LBT designs in . Wide Flat Nose Gas Check (WFN- GC) at 2. Long Flat Nose Gas Check (LFN- GC) in 3. All sized between . They originally did not offer the 3. Very hard, expansion is highly unlikely. Beartooth Bullets [(2. P. O. Box 4. 91, Dover ID 8. LBT designs. Both companies offer a variety of calibers. All of the above bullets will group 6 shots around 2″ at 2. I can shoot on a given day. Pretty amazing when you consider the dimensional differences in the guns, the types of bullets, and my limited load development (one powder, one primer, and working up to max loads from Hodgdon #2. I’m no great pistol shot. The only common factors are long, heavy bullets and 7. Don’t let anyone tell you that a . Long Colt won’t shoot. Generally, you don’t need a spotting scope to see your groups at 2. Try that with a 9mm sometime. Powder: Olin’s WW2. I happen to have a 3 lb. It works well and I have not seen any compelling reason to consider changing until the can runs dry. There are surely other powders such as H1. VV1. 10, 2. 40. 0, the two 4. AA #9 and who knows what else that would also work, given appropriate data. Dies: RCBS carbide . Long Colt dies. Had to file the semi- wadcutter seating stem flat for WFN cast bullets because the noses are so wide. Still works fine with regular SWCs. Lyman ‘M’ neck expander die for the . ACP (very important!). The rest of my reloading equipment is pretty generic. Loading techniques: There are a couple of keys to success with heavy bullets. Other than the correct data (which includes the correct OAL), the challenge is keeping the bullets in the cases under recoil and getting the powder to burn uniformly. To keep bullets from pulling out under recoil, don’t focus exclusively on crimp. Case neck tension is absolutely vital and can’t be ignored. If the difference between a bullet staying in the case is how much crimp you have, you are solving the wrong problem. Get your case neck tension correct first!! It is possible to get enough tension on a cast bullet so that you can actually see where the lube grooves are from the outside of the case. Now, crimp is important too, but just not the only factor. First thing you do is get a Lyman ‘M’ die for the . ACP or something similar (or modify your existing expander plug to the correct dimensions and shape). The expander plug in the ‘M’ die has straight sides and expands in two stages. The first stage (on mine) measures about . The secondstage is a little bigger, about . So what you get is the majority of the case neck is . |
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